Fake wars, papermache countries, massive military spending, massive price gouging

 

Source, page 5 here: https://mileswmathis.com/fakephoto.pdf

You do realize this is exactly like Orwell’s 1984, with fake foreign wars being used to divert attention
and sell various storylines, moving you on from the vaccine genocide and the current rape of
worldwide treasuries, justifying rising military budgets, and explaining gas and food price gouging.

And the way the “leaders” in Iran are playing along is a delight to watch in itself. They should get
award nominations from the Academy. Claiming they will continue to control the Strait of Hormuz. . .
though Iran never did control it. Claiming they have nuclear weapons when Trump has admitted they
don’t even have a Navy. In a real war Iran wouldn’t last two days against Turkey, much less against the
US and Europe and our fleet of aircraft carriers. Iran couldn’t fight a real war against Uzbekistan or
Gambia, since it is just a papermache entity to start with. Like Palestine it was swept of any real
weapons 80 years ago in order to protect Israel, and it is now little more than a square on a map, run
behind the scenes by the CIA, like every other country in the Middle East. Like North Korea, they
keep up the pretense it is independent and dangerous, to justify all the “defense” spending, but it is all a
vaudeville, a Punch and Judy pantomime. The Ayatollahs have always been our puppets, just like the
Shah* before them. Thought they admit it about the Shah [see the 1953 coup by US and UK oil] and
not the Ayatollahs, it is the same thing. The revolution in Iran was staged back to 1979, with a Jew in a
turban installed, expressly to create a needed post-Cold War enemy and hide the oil companies running
the country. Where would the defense industry be without these Hollywood enemies?

Same goes for China and Russia, of course. They aren’t our enemies. They are our co-conspirators.
They dupe their citizens while we dupe ours. If you aren’t with me, you really need to re-read 1984; or,
if you don’t like to read, watch the movie again. It wasn’t telling us what might happen in the future, it
was telling us what was and is already happening now. A red pill and stage-set disguised as science
fiction or futurism

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