The fact that Booth was an actor is the primary clue here, but I have never seen anyone lead with it. It is admitted but passed over as unimportant. But if you have read my other papers or studied recent events, you now understand how important it is. We have seen that all these events featured actors, from 911 to Aurora to Sandy Hook. They had to, because they were all manufactured events. In manufactured events, you want actors involved because actors are trained to manufacture events. That is the job of an actor. As in any other job, you hire professionals.
by Miles Mathis
I dedicate this paper to the memory of my uncle, Russell Mathis, a scholar of the Civil War Written February 19, 2014
Disclaimer: This paper, like all my papers, is an opinion piece. That is, it is based on my own personal knowledge and research, and reflects my limited expertise in a limited number of fields. Who else could say more? Although it may seem to be revolutionary, it is not intended to be so. I seek only the truth; but unfortunately, the truth has become revolutionary itself. You should read this essay as a murder investigation, not as an attempt at revisionist history or as a species of conspiracy theory.
Were I attempting either one, this essay would have to be much longer than it is. I will not try to be either scholarly or exhaustive, since although a historian might be expected to be both, a murder investigator is not held to those standards. It is enough to solve the case. I will discuss only the issues that have greatest bearing on the immediate question, leaving tangential issues for others to haggle over. As usual, I am more interested in efficiency than anything else. I do not like to waste your time or my own. If I seem to some to rush to a conclusion, it is only because I cannot be bothered to be misdirected or diverted. Once I have a scent, I prefer to run along it like a hound, since I have learned to trust my nose. I will therefore make every effort to pass through this created bog by the shortest and straightest series of stepping stones and patches of firmest ground. This was the last of the major events I unraveled, and I couldn’t unravel it until I had unraveled the more recent events. I needed to resolve those events first, since they were nearer in time to the present: the evidence was fresher, broader, and nearer to home.
Once I understood the methods of the newer events, I could look at the Lincoln assassination with a new and educated eye. Therefore, if you haven’t also studied 911, Sandy Hook, and other manufactured events, you may not follow my reasoning here. If you have trouble swallowing my conclusions in this paper, I recommend you study more closely the history of controlled and manufactured events—especially the history of Intelligence operations, both here and abroad. As an example of a foreign operation which is now partly declassified and about which much has been leaked, I send you to Operation Gladio. As usual, I will lead you in on the path I traveled, so that you can see my method. The first red flag that really put me on the right trail was the fact that John Wilkes Booth was an actor. As you probably know, much of the controversy of the Lincoln assassination has centered on Booth from the beginning. Those who have offered alternative theories have almost always started with Booth.
We will see that they were not wrong to do so, but we will also see that they never went far enough. Even the most creative and “outlandish” theories didn’t go far enough—in the right direction. We have seen this over and over in the other more recent manufactured events, where researchers get halfway in and then seem to get lost—sometimes, it would appear, on purpose. We saw this in the Kennedy assassinations, where “alternate” researchers found some of the first major clues, but then wandered off into left field for no obvious reason. We saw it in the Tate murders, where Mae Brussell—considered the bravest of the researchers—boldly discovered the first layer of clues, only to drift off into a fog, getting nowhere near the right answer. You will see it from Pat Shannan, who initially makes a strong charge at all these events, only to end up with theories that don’t really challenge the central parts of any of them. I don’t know if all these researchers divert themselves or if their jobs were to create diversion from the beginning. I don’t really care. I spend my time researching the events, not researching the other researchers. You will have to come to your own conclusions there.
But back to Booth. The fact that Booth was an actor is the primary clue here, but I have never seen anyone lead with it. It is admitted but passed over as unimportant. But if you have read my other papers or studied recent events, you now understand how important it is. We have seen that all these events featured actors, from 911 to Aurora to Sandy Hook. They had to, because they were all manufactured events. In manufactured events, you want actors involved because actors are trained to manufacture events. That is the job of an actor. As in any other job, you hire professionals.