Sandy Hook was choreography. Let anyone prove this wrong.

Sandy Hook: What Is Known For Sure

The following is a summary of what is definitively known regarding Sandy Hook. In other words, this is information that is incontestable.   All that is said, here, is easy to prove. Let anyone prove it wrong.  Regardless, these facts will prove that Sandy Hook was a fraud perpetrated by elements hostile to the American people. One purpose of this fraud or scam is to orchestrate new laws for gun control and confiscation. Other reasons are to create increased control and oppression over the American people. The irrefutable facts about Sandy Hook or what might more appropriately be called the Sandy Hook Hoax are as follows:
The common pictures of Adam Lanza, where the whites of his eyes are showing, are not real. Those pictures have been altered through Photoshop. The evidence for this is found on the Website, nodisinfo.com. The proof for this is irrefutable. His face was altered to make him appear menacing.
Gene Rosen is an actor known to play out skits about children. Rosen was caught practicing his lines well before the time of the claim for a shooting. He was the man who said he took six children into protection in his house in the midst of the crisis. This is not true. He can be seen practicing these very lines via overhead camera (via helicopter) in the morning of Dec. 14 sometime before 10:00 a.m. He can also be seen interacting with a TV producer at this time. Also, as has been confirmed by a direct communication, Rosen is a producer on local community TV, CTV. Furthermore, while Rosen was being interviewed by CBS a solar-powered sign could be seen behind him, ordering all actors to “sign in” before entering the secure area.
Chris and Lynn McDonnell, the supposed parents of the deceased Grace McDonnell, are not real parents and instead are actors. They can be found on network film and also via overhead camera near the firehouse performing their acting skits, often with TV producers in close proximity. This is also indisputable, and there are several examples where they can be seen acting out fake grief, as well as shock, while also being instructed by these producers. Some of the instructions are audible, including one command to start/conclude the act, the producer saying, “OK.”
Osiris sends to The Tap.


Grace McDonnell, who was supposed to have died in Sandy Hook, is not a real child. Instead, she is a pure and undeniable creation of Photoshop, the proof of which is found on nodisinfo.com. There was/is no person by this name living in the Newtown/Sandy Hook area or, in fact, anywhere in Connecticut. Thus, the claim that this child died in a school-yard massacre is a categorical lie, simply due to the fact that such a person doesn’t exist.
Donna Soto is not a grieving mother of the purportedly dead teacher, Victoria Soto. Instead, she is an employee of the Department of Homeland Security (DHS). Soto, a paid actor, was caught in the act via news footage, where she was filmed standing next to the side of the firehouse on Dec. 14 sometime before 3:o0 p.m. with a taxpayer-supplied DHS water bottle in her sweatshirt, checking her text messages. Prior to this she was seen acting out grief with purported son Carlos Mathew Soto, where she was surrounded by two TV producers. The fact that these were TV producer is beyond doubt and has been confirmed by news film.
A TV producer, name unknown, who was assisting Donna Soto in her fabricated grieving act, was caught on film faking grief herself near the corner of the firehouse, in the mid-afternoon, exact time unknown. The fact that she is Soto’s TV handler is proven by the clothing she wore and her style of purse in her possession when she was instructing Soto.
Robbie Parker, the supposed father of a murdered girl, Emilie Parker, was caught smiling in glee just before doing his CNN interview, while also asking if he should read from the script or speak spontaneously. Just prior to his interview Parker was seen “getting into character” by taking bizarre-appearing deep breaths and dramatically changing his facial expression. During this time instructors and handlers can be seen instructing and guiding him. A photo is available showing Parker holding in his hands the script.
Dawn Hochsprung called the Newtown Bee on Dec. 14, about 10:00 or so a.m., saying that there was a shooting at the school. The official reports have her dead by that time and the shooting already over. When questioned about this, the Bee originally confirmed that this call was made by Hochsprung, saying, essentially, “Well, we know her.”
Krista and Rich Rekos were caught posing before cameras early during the day on Dec. 14, like the McDonnells, right at the corner of the firehouse. When before the camera, Krista Rekos suddenly put on a display, acting as if she was in shock.
A school psychologist by the name of Mary Sherlach does not exist as an actual employee at Sandy Hook Elementary School. There is no licence for such a person and instead, suspiciously, her licence was issued only in 2013. The woman pictured as Mary Sherlach has been identified as Jane Vogel Brickell and, thus, Mary Sherlach is an alias. Ms. Brickell has been determined to be alive and well, living in New York. Morever, this individual is not disputing this finding, because she knows it to be true. Without doubt, the marriage depicting the pictured Mary Sherlach (aka Jane Vogel Brickell) with Bill Sherlach is a fake and fraud: those two individuals were never married.
In two different CNN interviews actual actors using aliases from an entirely different state were uncovered. Posing as Nick and Laura Phelps, the real names for these actors are Richard Sexton and Jennifer Greenberg-Sexton, who are residents of Florida. Their role was to act as begrieved friends of Dawn Hochsprung, while also claiming to be parents of Sandy Hook grade-schoolers. In real life these individuals are in not parents of any Sandy Hook children. In fact, their children live in Florida and were formerly students of Gotha High School. In other words, the people posing as the Phelps’ do not have grade-school-aged children, their daughters being in their teens. Thus, everything that these two actors said on CNN was a lie.
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Hard Proof that Sandy Hook is a Zionist Plot

Hard Proof that Sandy Hook is a Zionist Plot
Dozens of Mossad operatives are responsible for Sandy Hook. No one can doubt it. Americans, beware.  Jewry is systematically attacking America, seeking to confiscate firearms, restrict freedoms, strip Americans of their resources, crush them economically. It is a malicious and well-planned goal. The proof is, as follows: 

Veronique Pozner is one of the primary Mossad operatives behind this attack. Her role is to act as a key ‘parental’ source for forging gun restriction regulations. Armed with proposals which were created months prior she acted as the parental liaison to the Zionist-controlled Obama. Pozner is a rabid Israeli-Firster who has set her energy on attacking and undermining the American people. This is by systematically stripping them of their freedoms. She is part of a pre-arranged plot, orchestrated by U.S.- and Israeli-based Zionist operatives. A chief spy, she is a key hub in the attempt to crush guns rights and works closely with elements of the United Nations and, therefore, the Rockefeller cabal. Her heavy-hitting role is easy to prove simply by watching interviews. She bombastically surges into the conversation urging draconian gun control legislation. The grieving process has only begun, and yet she is filled with energy to forge new gun laws.

Affiliation: Israeli-Firster, Jewish

Essentially the press agent for Ms. Pozner, Alexis is purportedly her brother. An avowed proponent of the Israeli entity, Haller is a frequent player in pro-Israeli politics. Regarding Sandy Hook, he is playing an integral role in promoting and coordinating media appearances for Pozner, while seeking to enforce gun control legislation.  He has also been largely responsible for the prominent Websitewww.noahpozner.org, urging the donation of funds.
Said this arch-Zionist mole on CNN, “What we do not want is he same old debate, where one side of talking heads talks about gun control…” Then, on CNN he once again urged the donation of funds. Haller is a clear and categorical Mossad operative whose purpose is to strike down Americans’ rights to bear weapons. A rabid Zionist Jew, one of his goals is to facilitate legislation which would allow the arrest and imprisonment of individuals opposed to the Zionist entity. Everything that comes out of his mouth is a wretched lie. Watch his interviews. It will make you want to vomit.

If anyone has any doubt about the extent of involvement of the Mossad and its collaborators, including Pozner and Haller, here is a screenshot of  the close of the disarmament document these antagonists sent to the White House:
http://nodisinfo.com/Home/hard-proof-that-sandy-hook-is-a-zionist-plot/

The Tap Blog is a collective of like-minded researchers and writers who’ve joined forces to distribute information and voice opinions avoided by the world’s media.
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3 Responses to “Sandy Hook was choreography. Let anyone prove this wrong.”

  1. Anonymous says:

    interest anybody?

    1913: When Hitler, Trotsky, Tito, Freud and Stalin all lived in the same place

    http://www.bbc.co.uk/programmes/b01rw1k5

    Listen 2h.24m.45s hours in

    A century ago, one section of Vienna played host to Adolf Hitler, Leon Trotsky, Joseph Tito, Sigmund Freud and Joseph Stalin.

    In January 1913, a man whose passport bore the name Stavros Papadopoulos disembarked from the Krakow train at Vienna’s North Terminal station.

    Of dark complexion, he sported a large peasant’s moustache and carried a very basic wooden suitcase.

    “I was sitting at the table,” wrote the man he had come to meet, years later, “when the door opened with a knock and an unknown man entered.

    “He was short… thin… his greyish-brown skin covered in pockmarks… I saw nothing in his eyes that resembled friendliness.”

    The writer of these lines was a dissident Russian intellectual, the editor of a radical newspaper called Pravda (Truth). His name was Leon Trotsky.
    Continue reading the main story
    The Vienna of 1913
    Soviet dictator Joseph Stalin spent a month in the city, meeting Trotsky and writing Marxism and the National Question, with Nikolay Bukharin
    The neurologist Sigmund Freud moved to Vienna in 1860 as a child and left the city in 1938 after the Nazis annexed Austria
    Nazi leader Adolf Hitler is believed to have lived there between 1908 and 1913 where he struggled to make a living as a painter
    Josip Broz, later Yugoslav leader Marshal Tito, was a metalworker before being drafted into the Austro-Hungarian army
    Russian revolutionary Leon Trotsky lived in Vienna from about 1907 to 1914, launching paper Pravda – The Truth
    BBC History – The Rise of Adolf Hitler

    The man he described was not, in fact, Papadopoulos.

    He had been born Iosif Vissarionovich Dzhugashvili, was known to his friends as Koba and is now remembered as Joseph Stalin.

    Trotsky and Stalin were just two of a number of men who lived in central Vienna in 1913 and whose lives were destined to mould, indeed to shatter, much of the 20th century.

    It was a disparate group. The two revolutionaries, Stalin and Trotsky, were on the run. Sigmund Freud was already well established.

    The psychoanalyst, exalted by followers as the man who opened up the secrets of the mind, lived and practised on the city’s Berggasse.

    The young Josip Broz, later to find fame as Yugoslavia’s leader Marshal Tito, worked at the Daimler automobile factory in Wiener Neustadt, a town south of Vienna, and sought employment, money and good times.

    Then there was the 24-year-old from the north-west of Austria whose dreams of studying painting at the Vienna Academy of Fine Arts had been twice dashed and who now lodged in a doss-house in Meldermannstrasse near the Danube, one Adolf Hitler.

    The characters would have spent much time in these same two square miles of central Vienna

    In his majestic evocation of the city at the time, Thunder at Twilight, Frederic Morton imagines Hitler haranguing his fellow lodgers “on morality, racial purity, the German mission and Slav treachery, on Jews, Jesuits, and Freemasons”.

    “His forelock would toss, his [paint]-stained hands shred the air, his voice rise to an operatic pitch. Then, just as suddenly as he had started, he would stop. He would gather his things together with an imperious clatter, [and] stalk off to his cubicle.”
    Continue reading the main story

    HETT

  2. Anonymous says:

    part 2

    Start Quote

    If you wanted to hide out in Europe – then Vienna would be a good place to do it”
    Charles Emmerson
    Research Fellow, Chatham House

    Presiding over all, in the city’s rambling Hofburg Palace was the aged Emperor Franz Joseph, who had reigned since the great year of revolutions, 1848.

    Archduke Franz Ferdinand, his designated successor, resided at the nearby Belvedere Palace, eagerly awaiting the throne. His assassination the following year would spark World War I.

    Vienna in 1913 was the capital of the Austro-Hungarian Empire, which consisted of 15 nations and well over 50 million inhabitants.

    “While not exactly a melting pot, Vienna was its own kind of cultural soup, attracting the ambitious from across the empire,” says Dardis McNamee, editor-in-chief of the Vienna Review, Austria’s only English-language monthly, who has lived in the city for 17 years.

    “Less than half of the city’s two million residents were native born and about a quarter came from Bohemia (now the western Czech Republic) and Moravia (now the eastern Czech Republic), so that Czech was spoken alongside German in many settings.”

    The empire’s subjects spoke a dozen languages, she explains.

    “Officers in the Austro-Hungarian Army had to be able to give commands in 11 languages besides German, each of which had an official translation of the National Hymn.”

    And this unique melange created its own cultural phenomenon, the Viennese coffee-house. Legend has its genesis in sacks of coffee left by the Ottoman army following the failed Turkish siege of 1683.

    Cafe Landtmann, much frequented by Freud, remains popular to this day

    “Cafe culture and the notion of debate and discussion in cafes is very much part of Viennese life now and was then,” explains Charles Emmerson, author of 1913: In Search of the World Before the Great War and a senior research fellow at the foreign policy think-tank Chatham House.

    “The Viennese intellectual community was actually quite small and everyone knew each other and… that provided for exchanges across cultural frontiers.”

    This, he adds, would favour political dissidents and those on the run.

    “You didn’t have a tremendously powerful central state. It was perhaps a little bit sloppy. If you wanted to find a place to hide out in Europe where you could meet lots of other interesting people then Vienna would be a good place to do it.”

    Freud’s favourite haunt, the Cafe Landtmann, still stands on the Ring, the renowned boulevard which surrounds the city’s historic Innere Stadt.

    Trotsky and Hitler frequented Cafe Central, just a few minutes’ stroll away, where cakes, newspapers, chess and, above all, talk, were the patrons’ passions.

    “Part of what made the cafes so important was that ‘everyone’ went,” says MacNamee. “So there was a cross-fertilisation across disciplines and interests, in fact boundaries that later became so rigid in western thought were very fluid.”

    Both Trotsky and Hitler sipped coffee under Cafe Central’s magnificent arches

    Beyond that, she adds, “was the surge of energy from the Jewish intelligentsia, and new industrialist class, made possible following their being granted full citizenship rights by Franz Joseph in 1867, and full access to schools and universities.”

    And, though this was still a largely male-dominated society, a number of women also made an impact.

    HETT

  3. Anonymous says:

    part 3

    Alma Mahler, whose composer husband had died in 1911, was also a composer and became the muse and lover of the artist Oskar Kokoschka and the architect Walter Gropius.

    Though the city was, and remains, synonymous with music, lavish balls and the waltz, its dark side was especially bleak. Vast numbers of its citizens lived in slums and 1913 saw nearly 1,500 Viennese take their own lives.

    No-one knows if Hitler bumped into Trotsky, or Tito met Stalin. But works like Dr Freud Will See You Now, Mr Hitler – a 2007 radio play by Laurence Marks and Maurice Gran – are lively imaginings of such encounters.

    The conflagration which erupted the following year destroyed much of Vienna’s intellectual life.

    The empire imploded in 1918, while propelling Hitler, Stalin, Trotsky and Tito into careers that would mark world history forever.

    HETT

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