New film demonstrates how “Holocaust” narrative was faked
A new film about a forgotten, long-shelved documentary chronicling the Allies’ discovery and liberation of the Nazi concentration camps is offering viewers a restored contemporaneous account of that seminal moment in history.
The original, unfinished documentary has now, 70 years later, been reproduced and completed by the British Imperial War Museums. Titled “German Concentration Camps Factual Survey,” the film was finished based on the shot sheets, script and rushes of the original filmmakers, who were forced by geo-political considerations to stop their work. “Night Will Fall,” the new film about the film, combines raw archive footage from the 1945 documentary — which counted Alfred Hitchcock among its treatment advisers — and contemporary interviews with the now elderly veteran soldiers, former film cameramen, film editors, and Holocaust historians and survivors.
The original work began in the waning days of World War II. British producer Sidney Bernstein, chief of the film section at the Supreme Headquarters Allied Expeditionary Force, had instructed his cameramen to film everything in order to provide undeniable proof of Nazi atrocities.
What is apparent is how unprepared the soldiers were for the horrors that awaited them. For some, the experience has been a lifelong trauma. Many found it difficult to later articulate to the makers of “Night Will Fall” what they saw and what they remembered.
The story behind the initial, incomplete making of the original documentary includes its suppression by the British and American governments as they shifted away from exposing Nazi atrocities and toward restoring and reconstructing West Germany as a bulwark against the perceived new threat from the Soviet Union. […]
It was as the war was drawing to an end that Britain and the United States set up a joint film department. Its mandate was to produce short propaganda films to support the war effort, and later to assist in the task of dealing with a defeated Germany. Headed byBernstein, the new unit recorded the atrocities that the soldiers — many of whom were newly trained as cameramen — encountered at the point of liberation.
In 1945, as the numerous reels arrived in London, and editors faced the momentous task of processing the material, Bernstein began to plan a full-length documentary. Speaking in 1984, he explained that his instructions had been to film everything, providing undeniable proof of what had happened. He wanted the film to serve as “a lesson to all mankind.” […]
A little context is necessary here. When the Allied armies were “liberating” the various labor, industrial, and detention camps administered by the Germans during WWII, they did in fact discover horrific scenes of dead bodies and malnourished, emaciated, and sick inmates. But these individuals were not murdered, starved, and/or mistreated in a systematic German-led campaign to genocide the Jews and other “undesirable” groups in Europe.
The organized Jewish community and their gullible, traitorous non-Jewish allies had been propagandizing the Western world with shocking and grisly stories of Jewish persecution (including the “6 million dead Jews” figure!) going back to 1915 during WWI. Of course, we now know that this narrative – horrific, unfathomable persecution and murder of Jews carried out by “fascists”, “Nazis”, and other “racist, bigoted, irrational anti-Semites” – was entirely manufactured and sold to the public via the mass media. It was essentially a public relations campaign carried out, quite successfully unfortunately, by the organized Jewish community to gain sympathy and political support for their various agendas, both in the Middle East and in the West. The institutionalization of this fake narrative was officially adopted by the West following WWII as the Jewish “Holocaust” story.
The horrific imagery captured by the Allied propaganda units, led by the Jew Sidney Bernstein who collaborated with various Hollywood producers and directors, was presented at the Nuremberg show trials and in various newsreels and reports from the era. Children and mass audiences are still traumatized by the horrific imagery captured by the Allied propagandists. Of course, the imagery is never properly placed in its correct context, and is used instead to support the fake Jewish “Holocaust” narrative. The vast majority of people are not even able to critically think about this important aspect of WWII because of the trauma that has been instilled in their minds by the gruesome imagery associated with the “Holocaust”. The Jewish “Holocaust” narrative and the manner in which it has been manufactured, sold, and implanted in the minds of mass audiences exploits basic human psychology and emotions. It is essentially a mass mind control program used to serve and advance international Jewry’s global agenda of world domination. It is time for the world to recognize this fact.
– H.L. Mencken